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Replacements Unearth Unreleased Songs recorded @ Blackberry Way for ‘Pleased to Meet Me’ Reissue 

Three-disc set will feature band’s final recordings with Bob Stinson 

By  JON BLISTEIN Rolling Stone Magazine 

 The Replacements will reissue 'Pleased to Meet Me' as a box set, featuring 29 previously unreleased tracks. 

 The Replacements are prepping an expansive box set reissue of their 1987 album, Pleased to Meet Me, featuring an assortment of rarities and unreleased tracks, including Bob Stinson’s final recordings with the band. The set will arrive October 9th via Rhino. 

The collection will boast 29 previously unreleased tracks, including demos, rough mixes and outtakes. To coincide with the box set announcement, the Replacements shared six of those unreleased songs on digital platforms: Rough mixes of “Alex Chilton,” “Never Mind,” “Valentine,” “Kick It in” and non-album tracks, “Birthday Gal” and “Election Day.” 

The Pleased to Meet Me reissue will be anchored by a remastered version of the original album, along with an assortment of B-sides and a version of “Can’t Hardly Wait” remixed by Jimmy Iovine. The rarities include 15 demos — 11 of which are unreleased — recorded at Blackberry Way Studios in Minneapolis during the summer of 1986. Seven of those tracks mark the last recordings the Replacements made with Bob Stinson, who was pushed out of the band not long after (Stinson died in 1995). 

The set will feature eight additional demos the Replacements recorded as a new trio, 13 previously unreleased rough mixes by studio engineer John Hampton, and an assortment of outtakes that were previously released on the 1997 compilation, All for Nothing/Nothing for All. Other unreleased rarities include two Paul Westerberg songs, “Run for the Country” and “Learn How to Fail,” and Tommy Stinson’s “Trouble on the Way.” 

STRUTTER'ZINE Review from Holland

Michael Owens 'The right kind of crazy' (Blackberry Way Records/USA Import) 

Singer/songwriter/guitarist MICHAEL OWENS has a long music history behind him going back to the 1970s when he was part of the band FINGERPRINTS. Fast forward to 2019 and a new solo-album is out. Musically speaking it is a nice mixture of Classic Rock, Americana and Power pop. Michael has a very recognizable voice that reminds me a bit of 1960s VAN MORRISON or a very raw ALICE COOPER, while musically it reminds me a bit of ELVIS COSTELLO, NICK LOWE and STEVE EARLE. It is actually a melting pot of all kinds of 60s-80s pop/rock styles, so it falls somewhere in between all of the previously mentioned acts. Not bad at all, with highlights like the more ballad orientated songs such as Old Man Joad that recalls a bit of classic BRUCE SPRINGSTEEN. I think by now you more or less get the idea of how this sounds, but it's best to check it out for yourself.

Michael Owens Blackberry Way Records

In 1986 Warner Brothers called me and requested a block of time for The Replacements. The sessions turned out to be what I later referred to as the pre-production sessions for “Pleases To Meet Me”. Some of the tracks were composed beforehand and others were worked out as we tracked them. I always felt the first attempt at certain songs like “Shooting Dirty Pool” might have had an edge on the later tracks that came out on the actual release. That is not to say that the later tracks were not great tracks but the vibe is often cool when a song is flushed out for the first time. Bob Mehr “Trouble Boys” called me a few months ago to let me know that Rhino/Warner Brothers was going to release a box set including the tracks from the previously mentioned session @ Blackberry Way along with a newly mixed version of the album and to chat about my remembrances.  I am very much looking forward to hearing these tracks again and glad that the tracks we cut are finally seeing the light of day. 


Chris Riemenschneider  Mpls Star Tribune 7/24/2020 

The third time might still pack a lot of charm for the Replacements’ 1987 album “Pleased to Meet Me,” which will get an even grander deluxe reissue from Rhino/Warner Bros. Records in October than the one churned out in 2008. 

Announced Thursday via Rolling Stone, the new 3-CD, 1-LP version of the beloved record features a remastered version of the original album along with dozens of outtakes -- including 29 tracks never before released. 

Among the “new” stuff are seven tracks that were the band’s last recordings with late guitarist Bob Stinson before he was fired. Those come from sessions at Blackberry Way Studio in Dinkytown over the summer of 1986 and include early versions of “Alex Chilton,” “I.O.U.,” “Valentine” and “Red Red Wine” as well as the non-album tracks “Birthday Gal” and “Election Day.” 

Seven other newly unearthed demo tracks in the collection feature the Replacements as a trio working on versions of “Shooting Dirty Pool” and the outtakes “Kick It In” and “Even If It’s Cheap” – the latter of which features the opening line that gave the record its title: “Pleased to meet me / The pleasure’s all yours.”  

The one vinyl LP in the set (180-gram) features newly issued “rough mixes” of the band’s often physically rough tracks in Memphis. It features most of the songs that made the cut on the original album, also including “Skyway” and “Can’t Hardly Wait.” These early versions were mixed by John Hampton, the engineer who worked with the album’s legendary producer Jim Dickinson at Ardent Studios. 

As with “Dead Man’s Pop” – Rhino’s expanded redux of the 1989 album “Don’t Tell a Soul” – the “Pleased to Meet Me” box set also features a booklet with photos and a history of the album written by Bob Mehr, the Memphis-based author of “Trouble Boys: The True Story of the Replacements.”  

STRUTTER'ZINE  Review from Holland

The April Fools 'Third' (Blackberry Way Records/USA Import) 

What if NEIL YOUNG would join FLEETWOOD MAC and record an album with B.O.C. backing up here and there, well, then it might sound like THE APRIL FOOLS latest release Third. This band hails from Minneapolis, MN and is formed around Brian Drake (vocals, guitar), Brad McLemore (guitar, vocals, harmonica), Terri Owens (guitar, mandolin, vocals), Ben Kaplan (drums, vocals) and Scott Hreha (bass guitar). The band previously released two albums, the self-titled debut The April Fools, Colorwheel and Third is as expected their 3rd release. The included music is nice mixture of Classic Rock, Bluesy Rock, Americana and Roots Rock, with a clear focus on strong melodies in each and every song. For example there is a gorgeous semi-rock ballad called Long Shadows that sounds like a rockier version of CALEXICO, which is of course a big compliment for THE APRIL FOOLS! Other highlights are rockers like Bell Of Stone, My Back Pages (BOB DYLAN cover), the heavy Blues Rocker 15 Minutes and You Make My Heart Beat Too Fast. 

STRUTTER'ZINE Review from Holland

Points: 8.9 out of 10) 

The Litter "Future Of The Past" (Blackberry Way Records/USA Import) 

The Minnesota/USA based band THE LITTER was quite successful 50 years ago in the 1960s with their Punk/Garage Rock hit single Action Woman. In The late 1960’s they followed up Action Woman with the LP’s Distortions & Emerge. Emerge achieved gold status selling over 500,000 units. Although they released more records and made several reunions throughout the following decades, they never achieved the same success as they did with Emerge. However in 2019 they released a very strong new Classic Rock album, which consists of newly written original material from the band, plus a strong cover version of Stephen Stills song For What It’s Worth. The result is a surprisingly strong record that can easily be called Classic Rock in its purest format, reminding me of THE WHO, THE YARDBIRDS and LED ZEPPELIN. Most of the tunes are rockers, with a few slower songs, such as Stay With Me, a 1960s inspired rock/ shuffle-ballad that has hit potential written all over it. The band is at their best during the Classic Rock songs like Crazy Horse Legend, ITSNOT, the instrumental The Mummy's Revenge and the sensational You Can't Feel Love (LIZZY meets B.O.C.). The original singer MARK GALLAGHER sadly died in 2009. His replacement RONNIE LONG (of KATZ BAND) is a very good singer, which can be heard clearly during the calmer acoustic piece Voids Can Be Filled and the aforementioned rockers. Classic Rock fans need to check out this album a.s.a.p. if they long for a nostalgic ride back to the 1970s sound of bands like THE WHO, BLUE OYSTER CULT, LED ZEPPELIN, THIN LIZZY...




On Sunday March 8th @ 2:00 The Litter & Blackberry Way Records are hosting a celebration for the release of the new album “Future Of The Past” by The Litter @ Mancini’s 531 7th Street West St Paul 55102. We are not only celebrating the release of the record but also 60 years of Minnesota music. Come mingle with band members representing over 80 iconic Minnesota bands including members of The Trashmen, Badfinger, The Suicide Commandos and many more. Help us celebrate the great music made in Minnesota over the last 60 years. Michael Warre WEQY 104.7 FM  will be spinning tracks & Mancini’s will provide appetizers.  

Tom Murray & Michael Owens will also be guests on Mikes MN Music Warrehouse  WEQY 104.7 FM Thur March 5th  8 to 10:00 Go To & Click On Stream Live! 

Mike will be bringing some previously unreleased tracks by Brian Drake's Idiot Savant & Robert Wilkinson as well as the recently remastered "Hands Of Time" by Tom Bright


The Litter

Future Of The Past Garners Airplay Around The World 12/9/19

Jamerzine Radio/Publication features The Litter on their Dailey Dose

Radio ads promised in the coming days include: Downunda Thunda Radio Australia, Leaf Pile Radio Berlin CT, Live From The Rock N Roll Ranch Canadensis PA, The Independent Music Show UK, Celtica Radio South Wales, 420 Radio/ Canadian Cannabis Radio Ontario, WDYN Dynamic Independent Radio Rochester NY.

Strutt ‘Zine from The Netherlands is also is promising a review in the near future.


The April Fools